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For screenwriters

Coverage that reads like a reader wrote it.

Upload a feature, a pilot or a short. Your AI editor writes the coverage a studio or agency reader would, with a verdict for the script and for the writer, and notes that point to the page.

  1. The verdict readers use

    Pass, Consider or Recommend, for the script and separately for the writer, calibrated the way readers use the scale. Most drafts, including good ones, aren’t ready yet, and the notes say exactly why.

  2. Page references you can find

    Final Draft, Fountain, PDF or Word. Notes point to the page, scene or sequence and quote the line, and every quote is checked against your script before you see it.

  3. A read for each form

    Structure and marketability for a feature. The series engine for a pilot, read as a half-hour, a one-hour or a limited series. Production and festival paths for a short.

The report

What your editor covers, section by section.

Every report opens with the editor’s letter: the verdict, what’s working, the 3 to 5 notes that matter most in order, and a revision plan. Then a ratings grid, the sections below, and the numbers measured from your text.

Studio and agency coverage

Feature film screenplay

  1. Logline and synopsis
  2. Structure
  3. Character
  4. Dialogue and scene craft
  5. Pacing and sequence notes
  6. Marketability and production
VerdictPass · Consider · Recommend, for script and writer
Studio and network pilot coverage, plus the series engine

TV pilot or episode

  1. Logline and synopsis
  2. Pilot structure
  3. Character and ensemble
  4. Dialogue and scene craft
  5. Series engine
  6. Marketability
VerdictPass · Consider · Recommend, for script and writer
A producer’s and festival programmer’s read

Short film script

  1. Logline and synopsis
  2. Story and structure
  3. Character
  4. Craft and tone
  5. Production
  6. Festival and next steps
VerdictPass · Consider · Recommend, for script and writer

The verdict is calibrated the way the industry uses it: most drafts, including good ones, aren’t ready yet, and a specific, fixable “not yet” is the most useful thing a writer can get. You choose how the notes are delivered (encouraging, balanced or unvarnished); that changes the tone, never the verdict.

Genres

Read for what you’re writing.

Pick your genre from the list for your format, or write in your own. For instance:

  • drama
  • comedy
  • thriller
  • horror
  • action
  • science fiction
  • romantic comedy
  • animation

Tell your editor the draft stage too (first draft, revised draft or polished, ready to submit), and add notes of up to 4,000 characters: what you’re aiming for, what worries you, where it’s going.

The plan

3-review pack. 3 reviews.

$49 · one payment

One review is one draft of one script: its coverage and up to 25 questions. Three reviews cover a draft and its rewrites, or three scripts.

No subscription, and nothing renews. Review credits never expire.

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